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Peace Poet

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Santosh Kumar (b. 1946) is a poet, short-story writer and an editor from UP India; DPhil in English; Editor of Taj Mahal Review and Harvests of New Millennium Journals; several awards; member of World Poets Society (W.P.S.); member of World Haiku Association, Japan; published poetry in Indian Verse by Young Poets (1980), World Poetry (1995 & 1996), The Fabric of A Vision (2001), The Still Horizon


Background Information

Dr. Santosh Kumar (b. 1946) is a poet, short-story writer and an editor from UP India; DPhil in English; Editor of Taj Mahal Review and Harvests of New Millennium Journals; several awards; member of World Poets Society (W.P.S.); member of World Haiku Association, Japan; presented papers in the seminar, interviews as special guest at international literary festival WORDS – one path to peace and understanding Oslo, Norway in September 2008; attended 20th Annual International Literary Festival Druskininkai Poetic Fall and 5th World Haiku Association Conference in Lithuania, Sept 30 to Oct 5, 2009; published poetry in Indian Verse by Young Poets (1980), World Poetry (1995 & 1996), The Fabric of A Vision (2001), The Still Horizon (2002), The Golden Wings (2002), Voyages (2003), Symphonies (2003), New Pegasus (2004), Explorers (2004), Dwan (USA), Promise (Purple Rose Publications, USA), World Haiku 2008 No. 4, World Haiku 2009 No. 5, Taj Mahal Review (2002, 2003, 2004, 2005, 2006, 2007 & 2008). He has also edited sixteen World Poetry Anthologies, and four books of World’s Great Short Stories. He is also the author of a collection of poems entitled Helicon (Cyberwit, India, ISBN 81-901366-8-2), Haiku collection New Utopia (Rochak Publishing, India ISBN 978-81-903812-0-8), NO NUKES: Brave New World of Beauty, A Long Narrative Poem, Songs of Peace & Haiku (Rochak Publishing, India ISBN 978-81-903812-3-9), and Critical Essays in collaboration with Adam Donaldson Powell (Cyberwit, India, 978-81-8253-110-9). He has also edited The Poetic Achievement of Ban'ya Natsuishi (Cyberwit, India, ISBN: 978-81-8253-149-9).

Birth Place
Allahabad,  India
Accomplishments

Santosh Kumar (b. 1946) is a poet, short-story writer and an editor from UP India; DPhil in English; Editor of Taj Mahal Review and Harvests of New Millennium Journals; several awards; member of World Poets Society (W.P.S.); member of World Haiku Association, Japan; published poetry in Indian Verse by Young Poets (1980), World Poetry (1995 & 1996), The Fabric of A Vision (2001), The Still Horizon (2002), The Golden Wings (2002), Voyages (2003), Symphonies (2003), New Pegasus (2004), Explorers (2004), Dwan (USA), Promise (Purple Rose Publications,USA), TMR 2002, 2003, 2004, 2005, 2006, 2007 & 2008). He has also edited sixteen World Poetry Anthologies, and four books of World’s Great Short Stories. He is also the author of a collection of poems entitled Helicon ( Cyberwit , India , ISBN 81-901366-8-2), Haiku collection New Utopia ( Rochak Publishing , India ISBN 978-81-903812-0-8), and Critical Essays in collaboration with Adam Donaldson Powell (Cyberwit, India, 978-81-8253-110-9).

Additional Information

Editor of TAJ MAHAL REVIEW.

Contact Information
www.cyberwit.net/
HIG 45, KAUSHAMBI KUNJ KALINDIPURAM,
Allahabad  211011   India
Contact Author: Peace Poet
Favorite Links

Haiku Of The Present
The most important thing for a haiku poet is to have passion for truth, beauty and spiritual power. Great haiku poets always create 'haiku moment' that with its delicate rainbow hues produces an extraordinary emotional hold on the readers. In the poetry of Homer, Sophocles, Virgil, Dante and Shakespeare we find this 'haiku moment' though they didn't write haiku. This is precisely the case with the following immortal lines uttered by Lear with Cordelia's dead body in his arms in Shakespeare's King Lear: Thou'it come no more Never, never, never, never, never! Prof. Moshé Liba and Albert Russo are able to create 'haiku' moment in their poems. Prof. Liba has published more than 60 books, and he writes in six languages. In his poem "A Poem, a week", the reader is mesmerized by the 'haiku moment' in the last two lines: I read a poem in Dutch, the same, ranslated into Polish. And it was not the same

Books
Welcome to Cyberwit. Wonderful "must have" anthology of poems by poets all over the world. We specialize in the promotion of new poets, women poets, and also recognized authors. Devoted to the cause of poetry and literature so that our planet may be a better place to live in. Cyberwit publishes poems in English, some truly literary gems which might otherwise be unknown. We publish Poetry Anthology and Literary Journal to enhance poetic sensibilities. Cyberwit is for poets who want to publish their poetry. Our published Anthologies and Journal Taj Mahal Review have poems that are sensuous, picturesque and impassioned. The poems reveal a fine combination of human elements of romance and the mystic & everyday realities.

Taj Mahal Review by Cyberwit.net
Taj Mahal Review by Cyberwit.net, India, pp. 300 is devoted to Literature and Arts so that the writers may live in perpetuity to be appreciated for all times. The Journal is devoted to the cause of poetry so that our planet may be a better place to live in. What Taj Mahal Review asks the poet is to be stimulated and moved by the visual and the aural imagery. The poems reveal the remarkable variety of life, and a faith in life, blended by a healthy skepticism. Poems, literary articles, essays, reviews and short stories etc. enrich literature, and the true talent, stature of the writers can be justly appraised. It is a Journal that can be read on a regular basis.

New Utopia
Dr. Santosh Kumar has successfully shown that he has both a good understanding of the classical form and literary history of the haiku as an art form, and more importantly possesses the literary experience, expertise, sensitivity and dexterity required to update and further develop this classical art form in his own way – thus both ensnaring and enticing the reader to join him in his own contemporary pas de deux, expressive of the wonders and dilemmas of today's social, spiritual and psychological experience. This resonance in the reader/audience, together with the «magic» of boundless possibilities, is essential to the success and the survival of the artist's expression as a «living, and ever changing» organism. I would encourage readers of this gem of a book to put away their musical scores and mathematical-literary formulas, to momentarily forget their guardianship of the more restrictive regulations regarding classical haiku-writing .. and even to attempt to avoid the perils of getting "stuck" in the search for the perfect «haiku moment», as that could possibly inhibit one's ability to recognize (and co-create) the essence of the poem. Furthermore, I would encourage the reader to try to see all poems in this book as being integral and connected parts of the entire artistic work. Although these individual works function quite well on their own, there is even greater "music" to be heard in discovering the silent transitions from haiku to haiku .. and experiencing the work in its totality: a comprehensive mural which rivals the frescoes of the greatest known and un-named painters from several centuries ago: yes, a haunting image dating from the earliest cave-dweller paintings on record to the Renaissance and Classical periods to Post Modern expressionism. – Adam Donaldson Powell




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