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Selene Skye
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Recent poems by Selene Skye
WhenThePreybecomesThePredator
Mullberries And Tapestries
This Is How The Horses Scream
The slip Of a Girl
EVE BLOOMS
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HummingBird Hungers
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           >> View all 37
ChinaTown Friday Nights
by Selene Skye
Monday, March 31, 2008
Rated "PG13" by the Author.

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There is this beautiful woman with small hands

like doves

fluttering

hidden wings edged with uncertain veins

making their presence known in lantern light

as she pours tea into a tiny cup

her fingers brush against the back of my hand

she lingers

her skin like satin

and I am so enamored with how she feigns demure delicacy

how swiftly she has learned

how to ask for everything

with only her eyes

spider lashes fanning shadow songs across her ivory cheeks

the sweetness of her character steeped in the sugary nectar of the tea she

brings

to the table with such care

She is amazing

a goddess with ink eyes reflecting every lit surface

drenched gold worlds

resplendent in liquid dark irises

tiny and graceful in every curve and movement

she carries the weight of a solid thing broken many

many times

beneath men who thought no further of her then her porcelain skin

A western woman would have shattered long ago

but she Orient jade

born of brilliant colors and claw ribbons

swiftly tilting kaleidoscopes

madness

brilliance

she is a prismatic rush of a thousand hummingbirds

pulsing with an electric rush

on every corner

every turn of hip into the shadows

Each Friday night we take the train to Chinatown

for smooth

summer walkabouts

and I transcend the fairy tale of wife and mother sparks

and fold into a tapestry of Asiatic clusters upon entering this dragon place

emblazoned with the multidimensional colors of flame

alive with the woman who always looks at me for very long

and very deeply

from beneath

her shadow lashes

Once

she touched the curve of my cheeks

traced my brow

shivering, she whispered

‘You’ve Japanese blood.”

and I smiled against her slender fingertips

and told her a neatly wrapped version of Grandfather Irita

from Okinawa

and how on earth he ended up in Rumania

married to a woman dusky and grand and descended from the wolf

people who’d leave

her bite marks along his neck and the inside of his wrists

whenever grandfather prepared to travel

told her how grandmother would laugh

and how it was the sound of a tiny fountain

water against pebbles

a heron taking flight

For a year we go

we go to the dragon place of the princess

and for a year she flits across my skin with the wing whispers of butterflies

catches me behind the golden embroidered curtains

captivates me with eyes midnight blue and black;

then one sultry summer eve she slips a tiny fortune cookie slip of paper

between my breasts

and scandalized delicious

I smile

enchanted deep into the belly

Husband finds the slip of paper in my compact

shade: ivory silk

he growls like a big, angry bear

and for the first time in my upright world I see man for brute and

ridiculous beast

and my mouth spits meanies like never before, asking,

‘And what the hell were you doing in my makeup, anyway?”

and he paints stars across my eyes

so that my lids swell up like blueberries

and my little jaw splinters underneath his big

big hands

and it intrigues me that the tears are born of pain

as is the laughter rolling out with the flow of blood from my mouth

There is something very pure and crystal water beautiful

hummingbird kiss

and midnight blues and starlight glaze

and sunbeam enchantment that blooms between women

out of a blossom of shared ribs and recognition

beyond primal and base things from a man’s hard hips and harder needs

The Eve’s of the world ride a sensual storm

an aesthetic curve of breeze

eating fruit and laughing beneath a tree

playing fetch with the serpent

who is become of a sudden playful and disinclined to cause any sort

of spiritual upheaval

and instead suns his belly beneath the sun

curled up in our lap

Every Friday night I go to Chinatown

the man with big

hard hands

a memory;

the woman with satin skin

she comes and sits with me when everyone has gone

and we talk about fairy tales

and politics

and rain showers

our children and our own childhoods

we stroll

her little hand in mine

we are both tiny

but with a presence that encapsulates our stride in golden globes of honey

and light

and everyone is smoke and dust

and we are the only Eve’s left to ride the world

This is what we do

this is all we do

hold hands

and talk and talk

and listen

this is what it is to be in love with a woman

to find your Eve rib has a pair

beneath another woman’s breast;

the fortune cookie slip of wisdom had whispered

‘you will find true love’

 

copyright:2008victoriaseleneskyedeme/publishamerica




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Reviewed by Michelle Mead 4/3/2008
Wow, this is excellent. I am really impressed. I usually hate long poems, but I loved your imagery and story so much that I kept reading. You really take the reader to another world which you make so foreign and familiar at the same time.
Reviewed by Jeanette Cooper 4/3/2008
This poetic saga is wonderful. Your knowledge of time, place, and character is wonderful as reflected in your vivid images.
Reviewed by Paul Berube 4/1/2008
Victoria,

You've penned a masterpiece here. I love your innocence and sensuousness of imagery. Love is more than a fortune cookie. It's the power that bathes the soul and endears the heart. We have to be more than creation for we are life. Anyone who does not see that is dead to themselves and to others. Peace, Love and Blessings Always, Paul.
Reviewed by John Leko 3/31/2008
...wonderful images you have penned here...in brilliant lantern light..."she carries the weight of a solid broken thing many... many times". ...excellent ivory pen upon the page VictoriaSelene...
John
Reviewed by Jon Willey 3/31/2008
Ahhh. You have molded the complexities of feminine desire to share, to respect, into a most wonderful fondue. I can continue to dip into the warm melted pool and retrieve delights long into many nights. I am again mesmerized by your control of mood and sensuality. Bravo, bravo! Send me more. Awe my little mind once more. Jon Michael Willey
Reviewed by Cryssa C 3/31/2008
Wow! Your words are so filled with imagery...
I love your full, rich use of metaphors.

Cryssa
Reviewed by Charlie 3/31/2008
Victoria!... and what a completely captivating write. I, a homophobic, sat here mesmerized by the entire thing. The imagery was to-die-for, and thought it seemed lenghy, it read quickly-- all those fluttery short lines. "The man with the big hands" come out loudly, and shattered my brain along with your jaw. This is one fabulous write.

I do have one nit-pick, though-- near the beginning. "beneath men...[than]her porcelain skin". That's it, though. Otherwise perfection. --Charlie



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