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Rie Sheridan
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Member Since: Aug, 2001

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Books
• Take Out from the Writer's Cafe

• Sidhe Moved Through the Faire

• If My Sandcastle Drowns...Can I Live With You?

• Beyond the Mundane: Flights of Mind

• From Within the Mist

• Building a Three-Legged Stool: Balancing Your Writing and Other Tips

• Straying From the Path

• RieVisions

• The Right Hand of Velachaz

• The Lute and the Liar


Short Stories
• Hush A-Bye, Baby -- excerpt

• Susie Snail Saves the Scavenger Hunt

• It's the Same Old Story

• Everything to Gain

• Nothing Left to Lose


Articles
• Why Freeman Cries: A Study of the Compassionate Assassin Archetype in Crying Freeman Universe

• Stepping Back in Time: Exploring the Forbidden Gardens of Katy, Texas

• What Makes a Person a Writer

• Riding Off into the Sunrise: A Western Look at Eastern Heroes

• The Writer's Little Black Book


Poetry
• The Bare Facts

• Chains of Straw-Ropes of Gold

• Shadows

• Bearly

• In the Palace of the Ice King

• The Fairy Gathering

• Gypsy Song

• Harp Song

• The Standing Stones

• Robin and Marion

         More poetry...
News
• Hush-a-Bye, Baby" Now Available

• The Winners of the 2004 Eppie Awards

• Appearing at ArmadilloCon in Austin, TX

• New Interview at Selling Writing Online

• EPPIE Finalists Announced

• POLL CLOSED--2003 Preditors and Editors Poll -- Vote Now

• New Interview at Game To Fame

Rie Sheridan, click here to update your web pages on AuthorsDen.
 

 

 




Category: 

Poetry

Publisher:  SunnySide Up Publishing ISBN-10:  Type: 
Pages: 

31

Copyright:  Sep 1 2001 ISBN-13: 


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A collection of poetry that reflects life, the universe and everything in between. Creatively written with great thought, excellent descriptive prowess and wonderful enlightenment, this collection is truly inspirational and entertaining. -- Currently out-of-print




Professional Reviews
eBook Reviews Weekly
Sheridan explores two natures with her poetry that of Mother Nature and that of human nature. Her language is vivid and thought provoking. She finds new ways to say old things. For instance she says in "Ain’t That the Way?" a woman lives a "remainder" life; meaning, the woman’s relationship to second-hand things, like second wife, hand-me- down clothes etc.



In another poem Sheridan sees a bird "pecking his pockets" as one would pick the pocket of a sleeping person.



She speaks of youth that made me think she was young and then she speaks of being old as though she was. The author has great understanding of the ages of life. She helps the reader feel them with her pulsating prose.



The economy of her words in "Late Shift" lends perfectly to the message carried in that poem.



"In the Park" she walks the visitor through the day from sun up to dark seeing the landscape through the people that visit the park at times appropriate for them.



Stanza II of "In The Park"



"First fisher folk

Slicing laser thin

Wounds in the skin

Of the river

Drawing from it

Fish like

Abscesses"



This verse illustrates the scope of the wonderful imagery Sheridan uses throughout her work.



I believe a reader can relate to Sheridan’s book of poetry on two separate levels, one of intimacy and the other of voyeurism. "Dancing On The Edge" lives up to its name as it keeps the reader on the edge of life looking in; yet it also pulls the reader into the experiences that may be the author’s or perhaps the reader’s reflection of his/her own life.



I found Sheridan’s work to be a delight to read; though some of the poems are dark, she delivers them with grace and style. I would recommend "Dancing On The Edge" to any one who enjoys the vibrant imagery that only good poetry can provide.



Review by Billie A. Williams




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